504 Pentagram Testimonials

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  • "The archive can be filtered by choreographer, performer, photographer, artist and writer, allowing users to explore collaborations across issues."

  • "Pentagram created a new identity to express the galleries' spirit of openness."

  • "The Lovevery logo bends and wiggles in reference to the paths we all take as we grow up."

  • "The orientation of the WalkNYC maps uses ‘heads-up mapping,’ in which north, south, east or west is rotated to correspond with the direction the user is facing.'

  • "This year Pentagram is honouring London’s chaotic nature by challenging visitors to ‘lose yourself’ in the festival."

  • "Pentagram's Paula Scher and Michael Bierut are two of 60 designers invited to create conceptual covers for Nabokov's classic for Lolita: Story of a Cover Girl, an upcoming collection of graphic representations of Lolita since its publication in 1955."

  • "Pentagram was asked to create an identity that would define Daftmill as a unique brand with genuine provenance, confident enough to rely on the quality of its distillate and the integrity of its production."

  • "The logo streamlines the identity into a strong, flexible monogram."

  • "Red Trees is a glimpse into the fear and hope that refugees experience, it’s a film that looks into the past as an attempt to understand the future."

  • "The campaign includes a series of 15 different posters that have been sniped on the façade of the gallery, where they double as exhibition graphics."

  • "For this exhibition, Brown created a new body of work in response to the Palace itself, its extensive collection of artworks, and her own memories of England."

  • "Pentagram invited some of the world's most influential design and cultural editors to choose a subject which is self-indulgently of interest to them for Circular’s readership to enjoy."

  • "Tigermilk’s concept is to offer fast, casual food based on Peruvian and other Latin American flavours in a stylish location as both a healthy lunchtime option and social evening experience."

  • "The square logos—one the museum’s full name, the other the acronym—work in combination with their typical “chop” in Chinese characters, which the designers also modified."

  • "Thɘ logo functions as a graphic prɘfix that can bɘ couplɘd with diffɘrɘnt typographic ɘxprɘssions or imagɘs to instantly brand thɘm as rɘ―inc."