504 Pentagram Testimonials

"Pentagram created a new logo for the broadcaster, as well as a brand hierarchy, identity style guide and merchandising."

"The team designed bespoke typography for the event graphics, creating a modified version of the font Foundry Gridnik that builds its letterforms from a network of lines and bars."

"The goal was to deliver a solution that would be a true reflection of the brand and how its software and mission is to push mobility on a global scale; for a cleaner, smarter and more secure world on the move."

"The identity highlights this amenity in the logo for the project, which suggests a view of a building plan with the square of the courtyard at the center."

"To create a bold and confident identity in line with OpenView’s productive approach, the designers developed a fresh take on stenciling, a centuries-old form of typography universally known for its ease and efficiency."

"The design has an editorial feel with images and text layered to give a collaged look, reflecting Seikaly’s love of collecting and her prolific diary writing."

"The brand identity centers around a contemporary sans serif wordmark that echoes the building’s slender, vertical form."

"Equal parts mythical and psychedelic, and informative and inspirational, Pentagram’s brief was to create an identity that captured the magic of mushrooms. Featuring a digitally 'grown', generative typeface contrasted with a systematic grid structure."

"Pentagram’s 2015 Holiday ‘Up Side Down’ challenged clients, collaborators and friends to question their point of view by flipping the world map upside down."

"The identity clarifies and enhances theSkimm’s presence as it expands into new products and sub-brands."

"The book is one of the first to explore the breadth of Stoller’s largely unseen archive of more than 50,000 images."

"The name is placed in the iconic circular symbols used for the train lines, and typography appears in Helvetica like signs in the stations."

"Graphically the identity pulls no punches about a subject that still makes some people uncomfortable."

"The campaign will also include direct mail pieces, brochures, advertising and a sales office."

"The identity is guided by two oppositional attitudes. These are grandeur, representing the building’s history and location, and minimalism, representing Chipperfield’s architectural philosophy."