504 Pentagram Testimonials

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  • "The capital projects are organized by region, with a tipped-in, colored stock divider introducing each section."

  • "A bespoke typeface was commissioned from Luke Prowse and comprises of two distinct cuts to enable the brand to adjust its visual tone of voice, Virgin Money Sans and Virgin Money Loop."

  • "The refresh communicates the services, energy and creativity the agency delivers for its clients as it earns them attention."

  • "A hummingbird with distinctive marijuana-leaf shaped tail feathers is the symbol for the company and its line of extracts."

  • "Rejecting the bureaucratic approach used by most talent development companies, Congregation has built a service that helps businesses in a human, creative and smart way with the vision of building the workforce of the future."

  • "Strong, elegant and dynamic, the identity answers the creative brief of presenting Luminato as a connector and an enabler."

  • "This elemental piece of furniture allows the studio to maintain a sense of calm, providing a home for all the samples, buttons, fittings and files essential to the studio’s everyday work."

  • "The Pentagram team also established the sequencing and pacing of the color and black-and-white imagery shot in a variety of formats and divided up the sections of the book with spreads featuring quotes from Lanker’s vast network of admirers."

  • "The latest Issue is an antidote to the princess wedding fantasies peddled by pop culture and stoked by an insatiable wedding industry."

  • "The visual metaphors are designed to touch people at a deeper level and help them personally relate to the facts in a more human way."

  • "The grid of the wall calendar looks like a series of Pantone color chips, with the days of the month ranging through the shades of the featured color."

  • "The vibrant installation helps MahaNakhon communicate with the city from the ground up, capturing the prosperity, diversity and exuberance of Bangkok."

  • "The logo was initially built in three dimensions, with the letters sliced up and moved around to give a dynamic, exciting feel to the identity. "

  • "The Self Portrait Zone was a microcosm of the Millennium Dome itself, a circular pavilion framed by a kaleidoscope of images wrapped by sheets of translucent and clear glass."

  • "The different drawings are used as a logo on various applications, creating a dynamic system that links the branding with the institution’s function as a school and art museum, and suggests the diversity of the development."