504 Pentagram Testimonials

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  • "Reflecting the building’s geometry, the team devised a matrix that uses Hangul-inspired pictograms."

  • "The refresh communicates the services, energy and creativity the agency delivers for its clients as it earns them attention."

  • "The future of magazine reading is undergoing a transformation; audiences and advertisers now interact with magazine brands on so many different levels and platforms. MPA’s identity simply had to reflect this fact."

  • "The animations capture the dynamism that was a hallmark of Cooper’s design."

  • "For this exhibition, Brown created a new body of work in response to the Palace itself, its extensive collection of artworks, and her own memories of England."

  • "Underlying the design is a modular approach with each piece of equipment housed in a dedicated enclosure that is compatible with standard 19” rack systems."

  • "Inspired by Thomas Mann’s ‘The Magic Mountain’, the piece is made up of coloured pixels that are placed on top of one another to create an illusion of depth."

  • "The new identity is composed of simple graphic ingredients that provide a kit of parts for applications ranging from menus to environmental graphics. "

  • "Sophisticated and modern, the identity acts as a framework to showcase the world of colour that Fedrigoni inhabits, and allows Fedrigoni's product, content and imagery to remain centre stage."

  • "HRN needed a cohesive identity that would enable it to visually ‘own’ its podcasts across various platforms and allow the individual programs to shine."

  • "The graphic motif of a straight, centered line conveys a leap or shift from one perspective to another, from the representative to the abstract."

  • "Pentagram built the brand identity around a core ‘timeline’ visual, representing a progression from functional solutions to transformative organisational and societal perspectives."

  • "The first in Pith’s series of Creative Commissions, the ten limited edition notebooks feature original gouache designs painted by Angus in his London studio."

  • "The visually rich typography appears on everything from menus, packaging and swag to signage and the website."

  • "The campaign captures the spirit of celebration with a playfully redrawn version of Knockout, the official typeface of the Public identity."