504 Pentagram Testimonials

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  • "The clever time-based content navigation leads readers through articles that showcase brands such as Bell & Ross, Patek Philippe, TAG Heuer, Rolex and Omega at hours 11:34, 13:50, 19:56 and so on."

  • "Pentagram translated Pigzbe's gamified digital experience into the physical world, deriving the feel of the interface buttons from game controllers."

  • "In response to the difficult challenges book display poses for museums, and in reaction to the traditional solution of opening a book to a specific page and encasing it under glass, the designers created three innovative interactive rear-projection digital book kiosks."

  • "The first in Pith’s series of Creative Commissions, the ten limited edition notebooks feature original gouache designs painted by Angus in his London studio."

  • "The installation captures King’s ideas as they developed on paper, offering an intimate view of the leader’s thought process."

  • "For the first time, photography is added to the mix, with the Atlantic’s distinctive ‘A’ emblem acting as a window for images."

  • "The identity is set in Baskerville and Avenir and the new campaign features performance photography of Anthony Minghella’s production of Madame Butterfly."

  • "The logo rearranges the combined landmasses of the theoretical Pangaea to allow for a more distinctive form that displays the familiar forms of the represented continents."

  • "The team decided on the name Frist Art Museum with the catchy acronym ‘FAM,’ perfect for an institution that prides itself on being family friendly."

  • "We need a logo that reflects the exciting work we do and portrays the current state of the company. I feel this new logo is an invigorating next step in our evolution as a company and I look forward to its implementation and use."

  • "The LMYOU logotype developed by the Pentagram team for the campaign, with its emphasis on the word “You,” underscores the university’s commitment and appreciation of its people–the human capital that makes this highly respected Jesuit institution excellent."

  • "Underlying the design is a modular approach with each piece of equipment housed in a dedicated enclosure that is compatible with standard 19” rack systems."

  • "Endo Kazutoshi is a third-generation sushi master who has worked with world-renowned chefs in Tokyo, Madrid, Bilbao, Hong Kong, New York and London."

  • "The color of the letterform is always black, but the leafy element and the website change color with the seasons: orange for the fall, green for spring, red for the Christmas season and blue for summer (blue skies over the blue lake)"

  • "The specially engineered displays include a massive cantilevered “bridge” that rises up from the ground floor to display stunt motorcycles, an engine room displaying 30 engines, and a replica of a board track, a death-defying wooden racing course from the 1920s."