504 Pentagram Testimonials

"Named after Richard Schlagman, the new awards are designed to highlight the fertile relationship between the art world and publishing."

"Alongside the identity, Pentagram designed ‘The Early Years 1965-1972’. This comprehensive 27-disc boxed set pulls together material from the Pink Floyd archive."

"The book has a proper legal blue back linen-mounted cover with brass loop stitching, and the text is set in the typewriter-like font Pitch."

"The Self Portrait Zone was a microcosm of the Millennium Dome itself, a circular pavilion framed by a kaleidoscope of images wrapped by sheets of translucent and clear glass."

"The large-format images highlight Mizrahi's exquisite craftsmanship and attention to materials, juxtaposing lush close-ups of the garments with photographs of the complete designs on mannequins like those seen in the exhibition."

"The specially engineered displays include a massive cantilevered “bridge” that rises up from the ground floor to display stunt motorcycles, an engine room displaying 30 engines, and a replica of a board track, a death-defying wooden racing course from the 1920s."

"The logo and other brand elements have been optimized to perform across various platforms and scales, from the small-space digital world to environmental installations."

"The designers created a flexible framework in order to showcase the quality of storytelling and editorial art."

"The refreshed brand identity is simpler and more flexible, and looks back to the original, quirky 1996 logo."

"In order to weave the older magazine covers and layouts in seamlessly with the more current Pentagram work, the designers concocted an organizing principal based on the way encyclopedias traditionally organized content."

"As well as the overarching brand, Pentagram worked with Mills & Boon to streamline its series model, developing directional concepts that serve as a standard for its in-house team."

"The identity clarifies and enhances theSkimm’s presence as it expands into new products and sub-brands."

"The National Gallery’s new identity reaches out to be welcoming, inclusive and is connected the old and the new, the classic and the modern."

"Short, quick bits of data are mixed with longer reads and a structured but flexible grid opens up the pages in clean, clear layouts that let the content breathe."

"To create a bold and confident identity in line with OpenView’s productive approach, the designers developed a fresh take on stenciling, a centuries-old form of typography universally known for its ease and efficiency."