504 Pentagram Testimonials

"Pentagram created a series of virtual spaces that replicate the volume of empty bookcases, each housing one single photograph to fill the ghostly space."

"The Dr. Jart+ containers combine the classic forms of cosmetics and beauty products with unexpected industrial objects like oil and kerosene cans."

"In response to the difficult challenges book display poses for museums, and in reaction to the traditional solution of opening a book to a specific page and encasing it under glass, the designers created three innovative interactive rear-projection digital book kiosks."

"Other sleep- and breakfast-inspired items include mugs and T-shirts with playful slogans. The newspaper-format teaser ‘Cereal Times’ also features the brand’s signature bold typography, bright colours and playful copy."

"Only a handful of publishing brands have a globally recognised visual identity and it was important to retain DK’s iconic status, while bringing the old mark firmly into the digital age."

"To develop the concept, the designers focused on the contrasts between the volatile nature of the fintech industry and Droit’s smart, safe and responsive solution."

"Taking cues from architectural journals of the 1950’s bold layouts were created that are both elegant and controlled."

"The NAMHG wanted an identity that would both raise awareness for the work it does and help promote the agenda for this often-overlooked group of patients."

"We need a logo that reflects the exciting work we do and portrays the current state of the company. I feel this new logo is an invigorating next step in our evolution as a company and I look forward to its implementation and use."

"Musically ‘12 Questions’ is a hybrid that spans diverse genres and sounds, and Smith wanted the cover to have a mystical, neo-psychedelic vibe that captured this interconnected world."

"The catalogue features more than 200 photographs, installations and video pieces by artists including Henri Cartier-Bresson, Man Ray, Walker Evans, Nan Goldin, Robert Mapplethorpe and Philip Lorca DiCorcia, as well as images made by professional journalists, government agencies and amateurs."

"The book uses the art of noticing to make clear Pearce’s relationship to ideas, an approach that has driven his career as a graphic designer."

"Carefully redrawn and refined from the original sign that hung above the store’s Great Marlborough Street entrance, the new logotype also includes the full-stop which appeared on the original sign."

"The branding reflects the brewery’s straightforward approach and no-nonsense New York attitude."

"The Self Portrait Zone was a microcosm of the Millennium Dome itself, a circular pavilion framed by a kaleidoscope of images wrapped by sheets of translucent and clear glass."