504 Pentagram Testimonials

"The Pentagram team built the restaurant’s identity around a sophisticated but playful mark featuring a lone steer standing underneath a palm tree."

"Pentagram designed the campaign for the 2014 Expo, combining the circular forms of a manhole cover with the bicycle wheel."

"The logo evokes a pan and plate, putting the emphasis on the cooking and the food, where it should be."

"The colorful graphics and custom typography capture the brand attributes of fun, action, play, celebration, silliness and joy."

"Pentagram’s work included the now-iconic external signage, with its louvred screen to the cantilevered café at the top of the building."

"The typographic branding captures the vibrancy of New York and the different character of its neighborhoods."

"The typeface is used throughout the museum’s graphics and is also available free to the public, who are encouraged to utilize it in their own designs."

"The design team translated Cazana's ability to seamlessly view macro and micro information into motion patterns that zoom in and out—this later became a key aspect of the communications created by the team."

"Pentagram's Paula Scher and Michael Bierut are two of 60 designers invited to create conceptual covers for Nabokov's classic for Lolita: Story of a Cover Girl, an upcoming collection of graphic representations of Lolita since its publication in 1955."

"The graphic motif of a straight, centered line conveys a leap or shift from one perspective to another, from the representative to the abstract."

"In response to the difficult challenges book display poses for museums, and in reaction to the traditional solution of opening a book to a specific page and encasing it under glass, the designers created three innovative interactive rear-projection digital book kiosks."

"In 103 breathless seconds, the film recreates 33 of these greetings, sent through two decades of texts, emails, social media and messaging platforms to 33 sets of founders around the world."

"This theme of integrating the signage into the materials and environment of the specific venue was carried over into the Olympic Sculpture Park, which has transformed Seattle’s last undeveloped downtown waterfront property, a nine-acre industrial site on the Elliott Bay, into a free public park."

"An essential consideration for Soufflé was that the range was as sustainable as possible, both in the manufacturing process and with the amount of energy used during cooking."

"The project crowdsourced local sounds, receiving submissions from audio adventurers and sonic scouts across the globe."