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504 Pentagram Testimonials

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  • "The show was divided into five sections: Plan, Festival, Film, Charity and Impact, tracing the lasting cultural implications of the festival from 50 years ago all the way to present day."

    Lou Adler Monterey

  • "The identity reflects the specialized focus of the firm and its roots in science and technology."

    ATP

  • "The identity takes its cues from the clarity and geometry of the architecture."

    Hood Museum of Art

  • "Part game and part portfolio site, Zoo uses techniques usually used for game development, with pre-rendered elements mixing with elements that are grabbed from the custom CMS."

    Zoo

  • "The installation captures King’s ideas as they developed on paper, offering an intimate view of the leader’s thought process."

    Martin Luther King National Center for Civil and Human Rights

  • "The campaign is satirical, but serious: women should be able to talk about how they prefer to care for their pubic hair, whether it’s shaving, waxing, tweezing—or leaving full bush."

    Flamingo

  • "The branding celebrates the vibrancy of the city, signals it is ready to reopen after the pandemic lockdown, and welcomes New Yorkers back to the party."

    Jane Rosenthal Executive Producer

  • "The custom wordmark is modular, switching out letters for silhouetted images of items in Kaiyo’s inventory, showing exactly what the brand has to offer."

    Alpay Koralturk Founder

  • "Pentagram had to develop a strategy that would be harmonious with this history of global trade, whilst providing it with a new reputation relevant to super prime and prime real estate purchasers."

    Ten Trinity Square Ten Trinity Square

  • "The design is dynamic, fusing text and image to evoke the excitement of Timberlake’s performances."

    Harper Design

  • "The clean and spare layouts compliment the simple aesthetic and subtle lighting of Ford’s portraits."

    Rizzoli

  • "Each data portrait is redeemable as a wearable button that visitors can take with them as a personal memento of the experience."

    Museum of the City of New York

  • "For the cover the Pentagram team developed a unique format that features a wild animal photographed in a studio against a distinctive, jewel-toned backdrop."

    World Wildlife Fund World Wildlife Fund

  • "The typeface is used throughout the museum’s graphics and is also available free to the public, who are encouraged to utilize it in their own designs."

    Cooper Hewitt Smithsonian Design Museum

  • "The images gain impact when seen in repetition as a series, and places and photographs can be changed out in various applications like print pieces and the organization’s website."

    Natural Areas Conservancy
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