504 Pentagram Testimonials

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  • "The Do The Green Thing team created a simple toolkit for punters to make posters that consisted of eight personalisable backgrounds which were stamped with symbols that could be applied to a multitude of social issues and hundreds of strips of letters."

  • "The identity brings simplicity and clarity with an increased emphasis on the interlocking circles, and is optimized for use in digital contexts."

  • "The logo streamlines the identity into a strong, flexible monogram."

  • "At the end of a week of participatory creation, the machine served a breakfast consisting of coffee, omelet and toast with jam to the public."

  • "The square logos—one the museum’s full name, the other the acronym—work in combination with their typical “chop” in Chinese characters, which the designers also modified."

  • "Founded on the principles of excellence, internationality, innovation and sustainability, the Center aims to promote a unique artistic vision that is increasingly participatory and inclusive."

  • "Several sections relating to key individuals and movements in black suburbs are introduced with house-shaped structures made of bare wood, representing the foundational roots of construction and community."

  • “Our goal was to communicate incredibly detailed and technical information in a package that would invite a reader to not only engage but truly comprehend the implications of a vision and approach for inclusive growth in urban cities.”

  • "The identity has been refreshed with a new version of the Academy's historic typographic medallion and supporting type, set in Plan, that gives the Academy a more modern look."

  • "The bookjacket pictures the trompe l’oeil red curtains at the Palais Garnier in Paris, with no cover typography."

  • "They created a modular design that displays artifacts on movable easels and tables, including large-scale backlighted photographs of Shangri La that convey the drama and beauty of the location."

  • "Collaborating with Bobby Tannam, Pentagram created The Happy Face Pizza and Supermax wordmarks and resulting Happy Face Display font."

  • 'The project makes data accessible in a whole new way—by making it wearable on garments that incorporate hand-drawn data patterns."

  • "It was important that the book aligned with Flow’s distinctive aesthetic, which is rooted in the sensibility of its owner."

  • "The core of the design concept for the website is a data-driven, searchable timeline that brings together videos, events, articles, and other historical content."