504 Pentagram Testimonials

"The college and its buildings have developed so rapidly in recent years that the main challenge of the project was to find a solution that could work within LCC’s four different buildings and be adaptable enough to allow the college to change room names and redecorate when necessary."

"This elemental piece of furniture allows the studio to maintain a sense of calm, providing a home for all the samples, buttons, fittings and files essential to the studio’s everyday work."

"A series of towers—designed to adjust height depending on the context—resemble stacks of giant mah jongg tiles set on end. The towers incorporate display cases for artifacts, and feature graphics derived from the game."

"The campaign captures the spirit of celebration with a playfully redrawn version of Knockout, the official typeface of the Public identity."

"The starkness of the identity is softened by its transparency and a subtle gradation of color that will include shades of blue blacks, green blacks and red blacks."

"The Pentagram team selected the designers and illustrators, worked with Robin Hood and the schools to pair the right artist with each library, coordinated the production process with architect Richard Lewis, and served as creative directors throughout the entire process."

"Turning over a card—a gesture similar to flipping over a physical playing card—allows a user to view information about museum events and programs and peer into the archive."

"Pentagram was asked to create an identity that would define Daftmill as a unique brand with genuine provenance, confident enough to rely on the quality of its distillate and the integrity of its production."

"The mechanical elements hit the crystal according to movements of the user’s hands."

‘Industrial Instruments’ was a long-running project between Yuri Suzuki and Yamaha; it had already been through several iterations to identify and develop the most feasible interactions, objects, and sound qualities."

"The designers developed a clean, elegant yet bold layout for the book, a neutral, documentary-like platform that would allow the content to shine."

"The Do The Green Thing team created a simple toolkit for punters to make posters that consisted of eight personalisable backgrounds which were stamped with symbols that could be applied to a multitude of social issues and hundreds of strips of letters."

"The design team translated Cazana's ability to seamlessly view macro and micro information into motion patterns that zoom in and out—this later became a key aspect of the communications created by the team."

"The design system Pentagram created allows the Academy to become a confident and sensitive author of all its visual material."

"Intended as a conscience history of Le Style Anglais, the tone of the book is informative and humorous, stuffed with history and a uniquely British irony.'