“From its spectacular modernist architecture and activist routes to its multicultural campus and unparalleled desire to create change, the University of Sussex has a unique spirit, and we wanted to create a playful film that expressed that spirit. When Pentagram suggested the idea of an almost unbiased checklist, we immediately …
"Founded on the principles of excellence, internationality, innovation and sustainability, the Center aims to promote a unique artistic vision that is increasingly participatory and inclusive."
"Fast forward 100 years, the city of Stuttgart is planning to relive the success of the exhibit with IBA 2027."
"Built around a custom typeface and bold color, the identity highlights the remarkable range of programming at the Arts Center and provides a cohesive visual language for promotion."
"The logo rearranges the combined landmasses of the theoretical Pangaea to allow for a more distinctive form that displays the familiar forms of the represented continents."
"Theo Crosby records his stand against what he saw as the crude and bland construction methods of some contemporary architecture."
"The animations capture the dynamism that was a hallmark of Cooper’s design."
"The new interiors have been designed to provide customers with a consistent experience of the brand and to differentiate Rabobank from its competitors in order to maintain a strong, competitive presence within their retail oriented, high street context."
"The name stands for One Metro New York, a reference to transportation as an essential service that connects the city."
"The book uses the art of noticing to make clear Pearce’s relationship to ideas, an approach that has driven his career as a graphic designer."
"The Pentagram team also updated OCU's caps-and-small-caps wordmark with a contemporary Roman typeface called Romain, set in a more approachable upper- and lowercase, and downplayed the word ‘University’ in a smaller sized sans-serif face, called Houschka Pro, in all caps."
"Pentagram were tasked with developing a solution that connects the three events, a brief made challenging by a range of differing audiences."
"The packaging is branded with the eye-catching red of the original Woodstock poster and the interiors of the boxes are lined with a dozen different black-and-white photomontages."
"Users leave messages that appear as virtual sticky-notes, expressing what they’ve missed about the city or hopes for its future."
"The design echoes the scope of Bourgeois’s work, simultaneously mammoth and personal."
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