504 Pentagram Testimonials

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  • "Drawing inspiration from the shapes found in Tinguely’s iconic music machines, Pentagram created a bespoke typeface that is used across the museum’s identity."

  • "The infographics provide an overview of immigration trends in the country and the various pathways to becoming a citizen."

  • "The Public Theater branding has influenced much of the graphic design created for theatrical promotion and for cultural institutions in general."

  • "The design is dynamic, fusing text and image to evoke the excitement of Timberlake’s performances."

  • ‘Industrial Instruments’ was a long-running project between Yuri Suzuki and Yamaha; it had already been through several iterations to identify and develop the most feasible interactions, objects, and sound qualities."

  • "The identity centers on a distinctive letter ‘B,’ with simple geometry inspired by the shape of a ticket, that dynamically scales and stretches."

  • "The LMYOU logotype developed by the Pentagram team for the campaign, with its emphasis on the word “You,” underscores the university’s commitment and appreciation of its people–the human capital that makes this highly respected Jesuit institution excellent."

  • 'The charts combine hand-drawn type and infographics with photo snapshots, using information as a lens on current events."

  • "Appearing in patriotic red, white and blue, the logo is paired with a BAM acronym set in Neutraface."

  • "The clean, easy to navigate tabs allow users to quickly find what they are looking for, while also being able to freely explore other areas of TUTS online."

  • "The National Gallery’s new identity reaches out to be welcoming, inclusive and is connected the old and the new, the classic and the modern."

  • "The team designed bespoke typography for the event graphics, creating a modified version of the font Foundry Gridnik that builds its letterforms from a network of lines and bars."

  • "In order to weave the older magazine covers and layouts in seamlessly with the more current Pentagram work, the designers concocted an organizing principal based on the way encyclopedias traditionally organized content."

  • "The simplicity of the name and mark are counterbalanced by vibrant color options and flexible logo compositions that allow for a customizable identity."

  • "This year’s edition looked at the role of productive failure in design, and the graphics featured typography that trips over itself to form striking patterns on conference materials."