"The clever time-based content navigation leads readers through articles that showcase brands such as Bell & Ross, Patek Philippe, TAG Heuer, Rolex and Omega at hours 11:34, 13:50, 19:56 and so on."
"The new identity for BGC exists as a sophisticated kit of parts for a broad base of applications, from print to signage to website, where the identity’s graphic elements become a dynamic interface."
"Each of the pieces has been analyzed through an algorithm to identify its predominant color, then sequenced in a continuous flow over the pages to create a color spectrum."
"Pentagram created a new identity to express the galleries' spirit of openness."
"Using a unique integration of video journalism, data visualization, and interactive web technologies, Lupi and her team added uncommon depth and functionality to the storytelling and reading experience."
"Marina’s vibrant collages, doodles and exquisitely decorated objects from nature have an irresistible sense of joy and playfulness."
"The caretas of Maragojipe are clown-like jokers and tricksters who, in the tradition of carnival as a place to invert normal life, hide their true selves with masks and falsetto voices."
"The unique features of the frieze magazine masthead were used to create a modern and ownable typeface to be used across the whole brand."
"The National Gallery’s new identity reaches out to be welcoming, inclusive and is connected the old and the new, the classic and the modern."
"Color was essential to Matisse’s art, and the design utilizes a brilliant palette inspired by the artist to create a lively and engaging framework for a work of serious scholarship."
"The mechanical elements hit the crystal according to movements of the user’s hands."
"The book is one of the first to explore the breadth of Stoller’s largely unseen archive of more than 50,000 images."
"The clean, easy to navigate tabs allow users to quickly find what they are looking for, while also being able to freely explore other areas of TUTS online."
"Sophisticated and modern, the identity acts as a framework to showcase the world of colour that Fedrigoni inhabits, and allows Fedrigoni's product, content and imagery to remain centre stage."
"Red Trees is a glimpse into the fear and hope that refugees experience, it’s a film that looks into the past as an attempt to understand the future."
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