504 Pentagram Testimonials

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  • "In 2006, Jane Thompson brought several scrapbooks of Design Research ephemera to Pentagram and asked the team to help her tell the remarkable D/R story."

  • "The design has an editorial feel with images and text layered to give a collaged look, reflecting Seikaly’s love of collecting and her prolific diary writing."

  • "Many of the heels are reproduced at a scale that is larger than life size, offering an unusual, hyper-detailed view of the shoes' intricate engineering and design and exquisite use of materials."

  • "The arrow has been built into a negative space in The Scene logotype, where it can also serve as a window for a variety of imagery."

  • "Over 500 people from around the world have submitted the sounds that they recorded—these include everything from ambulance sirens to waterfalls, as well as events specific to the Pandemic, such as the weekly ‘Clap for Carers."

  • "The Journal redesign builds on the existing format with a modern type treatment and clean, spare page layouts."

  • "The Public Theater branding has influenced much of the graphic design created for theatrical promotion and for cultural institutions in general."

  • "The industrial design team followed a research-led process to develop the Yoto Player, interviewing families and children to understand what they found important and then developing a design that prioritised kids being in control."

  • "A series of towers—designed to adjust height depending on the context—resemble stacks of giant mah jongg tiles set on end. The towers incorporate display cases for artifacts, and feature graphics derived from the game."

  • "Named after Richard Schlagman, the new awards are designed to highlight the fertile relationship between the art world and publishing."

  • "The unique typography is complemented by an instantly recognizable approach to posters and other promotional material that gives each production its own iconic image."

  • "The hand-drawn visualization tracks the last time Giorgia did something before the pandemic hit, and the first time she did something new with social distancing."

  • "In an effort to subvert the local surroundings of large, digital advertising screens used all around Tokyo, the team focused on using traditional, analogue animations to bring their stories to life."

  • "Pentagram created a new logotype that is a twist on a traditional crest, which use symbols to illustrate the brand’s locations in France and New Zealand."

  • "Each letter in the name ‘Quad’ has been assigned to an individual theater in the four-screen cinema, where it appears as large-scale LED lighting in the ceiling."