504 Pentagram Testimonials

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  • "Reflecting the building’s geometry, the team devised a matrix that uses Hangul-inspired pictograms."

  • "The dynamic dot can be customized with dimensional complexity or different shapes, movements and color treatments, and used on its own for various sub-brands."

  • "The college and its buildings have developed so rapidly in recent years that the main challenge of the project was to find a solution that could work within LCC’s four different buildings and be adaptable enough to allow the college to change room names and redecorate when necessary."

  • "Titletown takes its name from the nickname for Green Bay, which has won 13 NFL world championships, the most of any city."

  • "High-end audio is the main focus of the venue and is in turn the focus of its brand. The identity is an ever-changing waveform that grows, lives and listens to the wide-ranging music it represents."

  • "The wordmark doubles as an escalating line chart that subtly illustrates the bank’s central concept of growing worth."

  • "Pentagram has designed graphics for two of the new RITZENHOFF glasses, one for beer and the other for milk. Both glasses feature typographic treatments which playfully nod to their contents."

  • "Pentagram designed an expressive brand identity for the Moholy-Nagy Foundation, following the mindset and methods the artist used in his own work."

  • "The redesign helps organize the journal’s creative anarchy, establishing a cohesive and democratic platform that simultaneously supports various perspectives and guides readers through the lively exchange."

  • "The building’s previous life as a private school and historic Beaux-Arts architecture helped inspire the branding."

  • "Pentagram took inspiration from the theatre’s home, borrowing the wall-painted typography style found on so many of London’s historical buildings."

  • "The designers developed a visual language that features cut-out graphic shapes, a reference to the construction of the garments, which uses alternative pattern-making techniques."

  • "The caretas of Maragojipe are clown-like jokers and tricksters who, in the tradition of carnival as a place to invert normal life, hide their true selves with masks and falsetto voices."

  • "The activities combine personal reflection and data drawing to help participants understand the community of people who contribute to their well-being."

  • "Pentagram and OPPO collaborated closely on every aspect of the visual identity framework, beginning with an understanding of developed and emerging markets, through to production and sustainability needs."