504 Pentagram Testimonials

Industry
Company Size
15 per page
  • 15
Reset
  • "The design is dynamic, fusing text and image to evoke the excitement of Timberlake’s performances."

  • "The archive can be filtered by choreographer, performer, photographer, artist and writer, allowing users to explore collaborations across issues."

  • "Up close, the façade is a blast of eye-catching colors and patterns; from a distance, the figures are revealed and the mural becomes a symbol of Hualien."

  • "The pattern is built from a palette of deliberately imperfect and abstract shapes based on organic forms that give a feeling of a living garden."

  • "The new brand identity revolves around the ‘Covariant Flow’, an abstract visualisation that represents the process of learning through what’s known as the ‘decision boundary’."

  • "The team at Pentagram created the story, philosophy and identity behind MOTH. Rejecting the snobbery that often surrounds premium drinks brands, MOTH embodies the concept of ‘social alchemy’."

  • "Pentagram was asked to create an identity that would define Daftmill as a unique brand with genuine provenance, confident enough to rely on the quality of its distillate and the integrity of its production."

  • "The addition of Oregon State’s beaver mascot to the academic shield personalizes the mark and distinguishes the university’s identity from the state seal."

  • "Pentagram took inspiration from the theatre’s home, borrowing the wall-painted typography style found on so many of London’s historical buildings."

  • "Rejecting the bureaucratic approach used by most talent development companies, Congregation has built a service that helps businesses in a human, creative and smart way with the vision of building the workforce of the future."

  • "The Tiffany & Co. logotype has been redrawn by hand to resemble a hot-metal typeface and reduced in size some 40 percent on bags and boxes, where it is foil-stamped rather than printed."

  • "The identity reflects the specialized focus of the firm and its roots in science and technology."

  • "The branding puts a contemporary spin on the straightforward, no-nonsense graphics and imagery found in traditional Jewish delis, with a side of humor for the messaging."

  • "The design of the book makes the most of Thomas’s electrifying color, filling the pages with vibrant, large-scale reproductions of her work and using color as an organizational element with the contents."

  • "The identity animates the public spaces between the partner organisations, graphically representing the programme of pop-up performances, art installations and inclusive events that will take place in the spaces between these institutions over the next decade."