"The goal was to deliver a solution that would be a true reflection of the brand and how its software and mission is to push mobility on a global scale; for a cleaner, smarter and more secure world on the move."
"The oblique shape of the logo is informed by the angles of an aircraft’s tail fin."
"Musically ‘12 Questions’ is a hybrid that spans diverse genres and sounds, and Smith wanted the cover to have a mystical, neo-psychedelic vibe that captured this interconnected world."
"The clever time-based content navigation leads readers through articles that showcase brands such as Bell & Ross, Patek Philippe, TAG Heuer, Rolex and Omega at hours 11:34, 13:50, 19:56 and so on."
"The look and feel of the redesign takes its inspiration from newspapers and temple newsletters traditionally so important to the community."
"A bespoke typeface was commissioned from Luke Prowse and comprises of two distinct cuts to enable the brand to adjust its visual tone of voice, Virgin Money Sans and Virgin Money Loop."
"The LMYOU logotype developed by the Pentagram team for the campaign, with its emphasis on the word “You,” underscores the university’s commitment and appreciation of its people–the human capital that makes this highly respected Jesuit institution excellent."
"The identity clarifies and enhances theSkimm’s presence as it expands into new products and sub-brands."
"The design echoes the scope of Bourgeois’s work, simultaneously mammoth and personal."
"Pentagram has weaved ‘dazzle camouflage’ throughout the game."
"Uptake wanted to showcase data in an exciting new way, demystify the subject of predictive analytics and demonstrate its own know-how in the field."
"Other sleep- and breakfast-inspired items include mugs and T-shirts with playful slogans. The newspaper-format teaser ‘Cereal Times’ also features the brand’s signature bold typography, bright colours and playful copy."
"The latest Issue is an antidote to the princess wedding fantasies peddled by pop culture and stoked by an insatiable wedding industry."
"High-end audio is the main focus of the venue and is in turn the focus of its brand. The identity is an ever-changing waveform that grows, lives and listens to the wide-ranging music it represents."
"In 1954 the Marbella Club was created by Prince Alfonso von Hohenlohe as a private playground for his aristocratic and celebrity friends. Service was originally delivered by the staff from his castle, giving the experience an air of formality in a very informal setting."