504 Pentagram Testimonials

"The design team redrew and modernised the wordmark and the symbol, and also created a circular quality stamp. Designed to signify deZaan’s premium brand status, it also emphasises its authenticity and Dutch heritage."

"Pentagram has created a new identity for The William Morris Society. At its centre is a hand-drawn emblem that is derived from William Morris’s Bird print."

"While comics continue to be the heart and soul of DC, the brand has evolved to now stand for powerful storytelling across so many different forms of media. DC is home to the greatest Super Heroes and Super-Villains, and the new logo has the character and strength to stand proudly alongside DC’s iconic symbols."

"Pentagram designed an expressive brand identity for the Moholy-Nagy Foundation, following the mindset and methods the artist used in his own work."

"The identity system uniquely bridges the elaborate symbols of historic colleges and the bold look of contemporary universities."

"The logo is a set of rounded shapes - inspired by coconuts, waves, surfboards and Roberto Burle-Marx’s curvaceous landscapes - creating the word Nonô."

"The book describes Porto Montenegro’s story so far, and introduces the next decade of its development."

"The dynamic identity is designed to highlight an array of creative disciplines."

"The capital projects are organized by region, with a tipped-in, colored stock divider introducing each section."

"Pentagram’s 2015 Holiday ‘Up Side Down’ challenged clients, collaborators and friends to question their point of view by flipping the world map upside down."

"The foundation of the DCP visual brand, and its sub-brands is a bespoke, fully variable typeface, created with NaN.xyz. With a core DNA that extends to four different styles, and was created in both Latin and Thai character sets."

"No Man's Land’ gets serious with the special “Issues Issue,” touching on topics like politics, racism, immigration, abortion, work and death."

"The framework is the first time O-pa has taken a comprehensive approach to its identity, bringing its programs and venues together visually as part of the same institution."

"The custom wordmark is modular, switching out letters for silhouetted images of items in Kaiyo’s inventory, showing exactly what the brand has to offer."

"The caretas of Maragojipe are clown-like jokers and tricksters who, in the tradition of carnival as a place to invert normal life, hide their true selves with masks and falsetto voices."