504 Pentagram Testimonials

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  • 'The project makes data accessible in a whole new way—by making it wearable on garments that incorporate hand-drawn data patterns."

  • Richard Haas was commissioned to paint a trompe l'oeil mural on a drab apartment building, transforming it into a fantastic homage to Chicago architecture.

  • "Pentagram worked closely with the company to develop a brand strategy, tone of voice and visual identity that strikes a balance between product and experience."

  • ‘Industrial Instruments’ was a long-running project between Yuri Suzuki and Yamaha; it had already been through several iterations to identify and develop the most feasible interactions, objects, and sound qualities."

  • "By focusing on the jester cap, the platform hopes more people can imagine donning the hat and seeing themselves as Fools, too."

  • "The design has an editorial feel with images and text layered to give a collaged look, reflecting Seikaly’s love of collecting and her prolific diary writing."

  • "The project crowdsourced local sounds, receiving submissions from audio adventurers and sonic scouts across the globe."

  • "Pentagram designed the exhibition, creating a visual identity that presents an engaging journey through Ferrari’s 70-year history."

  • "The space was designed to encourage children to think like scientists as they take advantage of the student–friendly scientific equipment and computer resources while they are guided by “Qcards” provided by the museum’s education department."

  • "The designers developed localizations for different territories around the world, rendering the logo in Arabic, Chinese and other languages."

  • "The Do The Green Thing team created a simple toolkit for punters to make posters that consisted of eight personalisable backgrounds which were stamped with symbols that could be applied to a multitude of social issues and hundreds of strips of letters."

  • "The National Gallery’s new identity reaches out to be welcoming, inclusive and is connected the old and the new, the classic and the modern."

  • "Inspired by Thomas Mann’s ‘The Magic Mountain’, the piece is made up of coloured pixels that are placed on top of one another to create an illusion of depth."

  • "The show was divided into five sections: Plan, Festival, Film, Charity and Impact, tracing the lasting cultural implications of the festival from 50 years ago all the way to present day."

  • "The square peg in a round hole symbolically represents there is no ‘normal’ when it comes to mental health and that everybody fits."