504 Pentagram Testimonials

"Chess on Earth’ uses storytelling to capture young readers’ imaginations, at the same time as immersing them in the basic principles of the game."

"Like the exhibition, the catalogue makes connections between objects and fashions across different periods and mediums."

"The industrial design team followed a research-led process to develop the Yoto Player, interviewing families and children to understand what they found important and then developing a design that prioritised kids being in control."

"The logo was initially built in three dimensions, with the letters sliced up and moved around to give a dynamic, exciting feel to the identity. "

"The campaign is satirical, but serious: women should be able to talk about how they prefer to care for their pubic hair, whether it’s shaving, waxing, tweezing—or leaving full bush."

"The 'Chaos Mass', a procedurally generated 3D texture that can be visually read as armies colliding in the fray of battle produces horizons or pattern-like backdrops to frame content."

"The design system Pentagram created allows the Academy to become a confident and sensitive author of all its visual material."

"The capital projects are organized by region, with a tipped-in, colored stock divider introducing each section."

"The idea of multiplicity is highlighted in an environment that communicates the endless diversity of typographic form: the walls and floor are covered in a pattern of 1,058 different periods, drawing from 630 typefaces."

“Our goal for the new design was to create a friendly and memorable logo that clearly connects to our brand as the place that helps you create a home. We like the simplicity of the new identity, with an instantly recognizable ‘H’ and house.”

"The Dr. Jart+ containers combine the classic forms of cosmetics and beauty products with unexpected industrial objects like oil and kerosene cans."

"The aim of the campaign was to create a ‘lightbulb moment’, where people would quickly grasp the relatively complex concept of a circular economy."

"Sophisticated and modern, the identity acts as a framework to showcase the world of colour that Fedrigoni inhabits, and allows Fedrigoni's product, content and imagery to remain centre stage."

"The Tiffany & Co. logotype has been redrawn by hand to resemble a hot-metal typeface and reduced in size some 40 percent on bags and boxes, where it is foil-stamped rather than printed."

"The reason I wanted to do this book is to bring my extensive documentation of the godmothers of modern day roller derby to the masses."