504 Pentagram Testimonials

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  • "The program is designed to help position Columbia as forward-looking and contemporary––less as a tradition-bound Ivy League school and more as a dynamic, modern university and vibrant academic community within the larger fabric of the city."

  • "The new identity centers on a wordmark held by a set of brackets, instantly conveying the organization’s role as a support system for artists."

  • "Etched on the glass, once in positive and once in negative, is the Glass House graphic identity also designed by Pentagram."

  • "The Katerra brand identity conveys the company’s design approach, linking standardization with customization."

  • "Pentagram were tasked with devising a visual identity that communicates the newly named practice's brand personality."

  • "Sitting somewhere between the styles of ‘The Wasteland’ and ‘Fear and Loathing in Las Vegas’, the book provides an intimate insight into Nick Cave’s imaginative universe."

  • "The Pentagram team also updated OCU's caps-and-small-caps wordmark with a contemporary Roman typeface called Romain, set in a more approachable upper- and lowercase, and downplayed the word ‘University’ in a smaller sized sans-serif face, called Houschka Pro, in all caps."

  • "The vibrant installation helps MahaNakhon communicate with the city from the ground up, capturing the prosperity, diversity and exuberance of Bangkok."

  • "Halma worked with Pentagram to create a new group identity that would express their purpose more accurately."

  • "The campaign uses a black, white and red color palette and bold typography inspired by historic show posters to project a kind of urban glamour."

  • "The logo brings together three animals that are important to the history of the organization and represent its century-long conservation efforts."

  • "The design employs an austere mid-century modern aesthetic and presents 210 of the images as full-page reproductions."

  • "Sophisticated and modern, the identity acts as a framework to showcase the world of colour that Fedrigoni inhabits, and allows Fedrigoni's product, content and imagery to remain centre stage."

  • "The college and its buildings have developed so rapidly in recent years that the main challenge of the project was to find a solution that could work within LCC’s four different buildings and be adaptable enough to allow the college to change room names and redecorate when necessary."

  • "The wordmark doubles as an escalating line chart that subtly illustrates the bank’s central concept of growing worth."