504 Pentagram Testimonials

"The intuitive interface helps users format their questions with eye-catching images and custom typography, as well as the infographics that show the results."

"The identity spotlights the updated name in a flexible logo that can be configured in countless ways."

"The animations capture the dynamism that was a hallmark of Cooper’s design."

"Endo Kazutoshi is a third-generation sushi master who has worked with world-renowned chefs in Tokyo, Madrid, Bilbao, Hong Kong, New York and London."

"The logo changes according to four distinct expressive states; each of these states is based on a quadrant of the circumplex model of emotions."

"Dramatically cropped, the oversized photographs suggest both a macro and micro view of the art world and provide a compelling entry point to content about the auction house and its activities."

"The wordmark takes its cues from the delicate architecture of the building and the goals of the organization."

"Pentagram was asked to create a brand strategy to articulate the unique personality of Camu C, and a brand identity system that could work across various print and online applications."

"Pentagram was asked to create the brand identity and environmental graphics for The Doha Exhibition and Convention Center (DECC) is a state-of-the-art convention centre, which opened in 2015."

"The bold palette—a distinctive shade of fluorescent green, along with blue, purple and pink—suggest the vibrant culture of Mexico, where the firm is headquartered."

"The concept of a ‘digital fabric’ where different business elements are woven together is also a key part of the new identity, and the team created a set of abstract visualisations based on the ideas of network, connectivity and orchestration."

"Titletown takes its name from the nickname for Green Bay, which has won 13 NFL world championships, the most of any city."

"The color of the letterform is always black, but the leafy element and the website change color with the seasons: orange for the fall, green for spring, red for the Christmas season and blue for summer (blue skies over the blue lake)"

"This year’s edition looked at the role of productive failure in design, and the graphics featured typography that trips over itself to form striking patterns on conference materials."

'With a subtle Arts and Crafts influence, the St Chris crest was redrawn to make it work much more effectively across a variety of media."