504 Pentagram Testimonials

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  • "The identity is guided by two oppositional attitudes. These are grandeur, representing the building’s history and location, and minimalism, representing Chipperfield’s architectural philosophy."

  • "The expansive addition includes a suite of new galleries, artist studios, flexible public and special event spaces, education classrooms, a café, back-of-house facilities, and visitor amenities."

  • "Alongside the identity, Pentagram designed ‘The Early Years 1965-1972’. This comprehensive 27-disc boxed set pulls together material from the Pink Floyd archive."

  • "Theo Crosby records his stand against what he saw as the crude and bland construction methods of some contemporary architecture."

  • "Pentagram introduced a simple hexagon as the main graphic element, as common ice crystals are symmetrical with a hexagonal pattern. This concept is reflected in the book’s six-chapter structure."

  • "A hand-drawn map of Africa has been extended into a full visual language, including custom typography and icons."

  • "In addition to the grayscale gradient of the primary logotype, the gradation appears in the primary palette of five bright, bold colors."

  • "The front cover features a detail from Dante Gabriel Rossetti’s much loved 1877 painting ‘Proserpine’, with gold foil contrasting beautifully with the blue velvet robes of Rossetti’s model and lover."

  • "After considering changes that ranged from imperceptible to unrecognizable, Pentagram redrew the original Guitar Hero logotype, adjusting some of its more aggressively odd features to enable accurate reproduction at a variety of scales and in media from digital animations to temporary (or permanent) tattoos."

  • "For the graphic identity, the designers created a bold, contemporary mark that expresses a sense of vitality and innovation while also maintaining the firm’s legacy."

  • "The book includes a rich cultural history of the grain along with the recipes."

  • “Our goal was to communicate incredibly detailed and technical information in a package that would invite a reader to not only engage but truly comprehend the implications of a vision and approach for inclusive growth in urban cities.”

  • "The typographic identity represents the corner of a page and takes inspiration from the feeling of leafing through history."

  • "The design deliberately strikes against the considered visuals that are currently popular in the magazine market, employing a more ballsy and opinionated aesthetic."

  • "The typeface is ideal for magazines, books and branding, and the print piece in an oversized A3 format highlights its versatility and scalability."