504 Pentagram Testimonials

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  • "The goal was to deliver a solution that would be a true reflection of the brand and how its software and mission is to push mobility on a global scale; for a cleaner, smarter and more secure world on the move."

  • "The new interiors have been designed to provide customers with a consistent experience of the brand and to differentiate Rabobank from its competitors in order to maintain a strong, competitive presence within their retail oriented, high street context."

  • "Only a handful of publishing brands have a globally recognised visual identity and it was important to retain DK’s iconic status, while bringing the old mark firmly into the digital age."

  • "The logo marries a regal ‘crown’ monogram with the flourish of human handwriting."

  • "The new identity centers on a wordmark held by a set of brackets, instantly conveying the organization’s role as a support system for artists."

  • "Pentagram was asked to create an identity that would define Daftmill as a unique brand with genuine provenance, confident enough to rely on the quality of its distillate and the integrity of its production."

  • "The design deliberately strikes against the considered visuals that are currently popular in the magazine market, employing a more ballsy and opinionated aesthetic."

  • "The latest Issue is an antidote to the princess wedding fantasies peddled by pop culture and stoked by an insatiable wedding industry."

  • "The branding puts a contemporary spin on the straightforward, no-nonsense graphics and imagery found in traditional Jewish delis, with a side of humor for the messaging."

  • "Pentagram translated Pigzbe's gamified digital experience into the physical world, deriving the feel of the interface buttons from game controllers."

  • "The book describes Porto Montenegro’s story so far, and introduces the next decade of its development."

  • "Pentagram built the brand identity around a core ‘timeline’ visual, representing a progression from functional solutions to transformative organisational and societal perspectives."

  • "The carefully constructed wordmark and symbol echo the forms found in the fashion."

  • "Pentagram created a titling typeface which could be applied in a modular way - a monospace font that looks like an illustration but is legible at the same time."

  • "POUNDS elevates the smoking experience, and the branding avoids clichés for a more sophisticated image that still represents fun and a good time."