504 Pentagram Testimonials

Industry
Company Size
15 per page
  • 15
Reset
  • "The slash can be used as a diagonal earmark at the top left corner of materials, instantly branding them as part of The Federation."

  • "With the AR app, the wall is turned into a living artwork, providing access to extra content such as videos from farms and roasteries, and information on the history of Starbucks and on coffee culture from around the world."

  • "The identity is built around a custom typeface, Vroom Sans, with italicized letterforms that evoke a feeling of forward motion."

  • "The campaign is satirical, but serious: women should be able to talk about how they prefer to care for their pubic hair, whether it’s shaving, waxing, tweezing—or leaving full bush."

  • "Collaborating with Bobby Tannam, Pentagram created The Happy Face Pizza and Supermax wordmarks and resulting Happy Face Display font."

  • "The brand identity centers around a contemporary sans serif wordmark that echoes the building’s slender, vertical form."

  • "Visible from the atrium, these graphics act as a visual mark for each floor and are designed to effortlessly guide visitors through the museum."

  • "The different drawings are used as a logo on various applications, creating a dynamic system that links the branding with the institution’s function as a school and art museum, and suggests the diversity of the development."

  • "The identity treats the logotype as a metaphor for a bookshelf or bookcase, a place to collect things."

  • "The new name adds clarity and helps define Blood Cancer UK’s scope, covering a broad spectrum of blood cancer types and helping people across the whole of the UK."

  • "The poster translates the form of Nelson’s iconic Ball Clock into the color palette of all Pentagram's posters for Yale—black and white—with the clock's hands appearing in gray."

  • "Intended as a conscience history of Le Style Anglais, the tone of the book is informative and humorous, stuffed with history and a uniquely British irony.'

  • "The identity has been refreshed with a new version of the Academy's historic typographic medallion and supporting type, set in Plan, that gives the Academy a more modern look."

  • "Art Basel Cities links local and international communities through a vibrant and intellectually rigorous multi-year programme."

  • "The color of the letterform is always black, but the leafy element and the website change color with the seasons: orange for the fall, green for spring, red for the Christmas season and blue for summer (blue skies over the blue lake)"