504 Pentagram Testimonials

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  • "The display houses paperback copies of the book that passersby can take down to reveal powerful messages of resistance from the novel."

  • "The school’s new spirit mark, the face of a determined but friendly fox composed in a five-pointed star, references the Sidwell Friends legacy as the only Quaker school in the nation’s capital."

  • "The visual identity is built on the theme of ownership being a fluid continuum, with handsets changing hands and of customers being in control."

  • "The intuitive interface helps users format their questions with eye-catching images and custom typography, as well as the infographics that show the results."

  • "Pentagram wanted to make sure that the identity was delivered as a contemporary railway company, relevant to rail travel and passengers today, but obviously one that was conscious of its history."

  • "The visual language and packaging convey selfcare’s focus on function and utility, but with a premium look and feel."

  • "Pentagram worked with Wirex to create a new brand strategy, visual identity and tone of voice that reinforces Wirex’s unique position within the busy FinTech environment."

  • "Our IPU is a real game changer for machine intelligence researchers; in the way they work; in the new approaches they are able to try and in the results they will see. It has been meticulously designed from scratch by our engineering team specifically for machine learning workloads; to handle …

  • "Over 500 people from around the world have submitted the sounds that they recorded—these include everything from ambulance sirens to waterfalls, as well as events specific to the Pandemic, such as the weekly ‘Clap for Carers."

  • "The site applies a ‘frankness’ to the featured issues, with a point of view that is forthright, personal and thoughtful, in long-form essays, interviews, opinion pieces, photo stories and video documentaries."

  • "The approach to the identity was informed by Pentagram’s decade-long relationship with the London Design Festival, for whom it designs a new identity every year."

  • "The Self Portrait Zone was a microcosm of the Millennium Dome itself, a circular pavilion framed by a kaleidoscope of images wrapped by sheets of translucent and clear glass."

  • "The design adds visual texture and detail—spot illustrations, pull quotes, factoids and typographic variety—to make the publication richer and more active."

  • "The campaign will also include direct mail pieces, brochures, advertising and a sales office."

  • "The large-format images highlight Mizrahi's exquisite craftsmanship and attention to materials, juxtaposing lush close-ups of the garments with photographs of the complete designs on mannequins like those seen in the exhibition."