504 Pentagram Testimonials

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  • "The new identity centers on a wordmark held by a set of brackets, instantly conveying the organization’s role as a support system for artists."

  • "The Pentagram team also updated OCU's caps-and-small-caps wordmark with a contemporary Roman typeface called Romain, set in a more approachable upper- and lowercase, and downplayed the word ‘University’ in a smaller sized sans-serif face, called Houschka Pro, in all caps."

  • "One of the most active companies in Europe, Opera Ballet Vlaanderen has built a reputation for their extensive and forward-thinking programs."

  • "Red Trees is a glimpse into the fear and hope that refugees experience, it’s a film that looks into the past as an attempt to understand the future."

  • "The book’s iconography is simple and dynamic, mixing bold two-dimensional graphics with photographic images of people and objects."

  • "The identity captures the vibrancy of Skirball’s programming and celebrates the exuberant spirit of downtown."

  • "Pentagram was asked to create an identity that would define Daftmill as a unique brand with genuine provenance, confident enough to rely on the quality of its distillate and the integrity of its production."

  • "The dashes serve as building blocks for the versatile system, evoking mobile screens, autofilling form fields, and lanes on the information superhighway."

  • "Pentagram invited some of the world's most influential design and cultural editors to choose a subject which is self-indulgently of interest to them for Circular’s readership to enjoy."

  • "Carefully redrawn and refined from the original sign that hung above the store’s Great Marlborough Street entrance, the new logotype also includes the full-stop which appeared on the original sign."

  • "The campaign captures the spirit of celebration with a playfully redrawn version of Knockout, the official typeface of the Public identity."

  • "First, we wanted a brand identity that could become iconic across all of the major markets we intend for Snap Kitchen. Second, we wanted a visual system that was consistent and strong across medium, whether it be signage, packaging or digital. Third, we wanted a system that made our stores much more intuitive and usable—particularly in packaging and shelf labeling."

  • "Information is organized around eight macro topics or themes, each represented with a different abstract pattern."

  • "The name is placed in the iconic circular symbols used for the train lines, and typography appears in Helvetica like signs in the stations."

  • "High-end audio is the main focus of the venue and is in turn the focus of its brand. The identity is an ever-changing waveform that grows, lives and listens to the wide-ranging music it represents."