“We had this idea for area-wide blackouts. Obviously we need dynamic lighting to simulate all this and make it look good. That’s why we created that system that modulates all the lights and reflection probes. It’s pretty involved, but if we can make it work, it could be really cool.”

“We found HDRP’s unified lighting solutions to be much easier to work with as artists, and we were able to get it up and running quickly, It really gave us the confidence that we could deliver on the original vision for Into the Dead: Our Darkest Days’s art direction.”