“Frankie made it feel like we were in the same room, looking at the same pictures, We conducted all of our vendor and director reviews on Frankie. People were spread across the country and occasionally across the world, so being able to easily log into our Frankie session and give …

“was to refine scenes with layers and layers of visual effects, And Matt was almost always sitting right beside me or Stan.” Despite the editors’ different working methods, Salfas credits his first assistant, Stephen Shapiro, and Hoy’s first assistant, Melissa Remenarich for “smoothly integrating our two crews.”